What is symmetry in photography?

Symmetry is about balance. It is one of the more extreme versions of balance, but about balance it is. You can both use symmetry as a way to position your objects in the frame, or it can be given to you by the subject you are photographing.

In architecture symmetry is used as a tool to signal power and influence. You will see that many government buildings are symmetrical like the Danish parliament below. This is what I call left to right symmetry, as it is symmetrical over a vertical axis:

Danish Parliament, Copenhagen, Denmark

You can also find it in many other kinds of buildings like a library with a Harry Potter feel:

Trinity College Library, Ireland

Symmetry can also be top to bottom, i.e. the axis over which the symmetry works is horizontal. Reflections are the classic example of top to bottom symmetry:

Lake reflections on a quiet morning. Lyngby, Denmark.

And finally you can combine the two to give you symmetry both vertically and horizontally, a model mother nature often uses:

A rose with early morning dew.

But we human beings also like this kind of symmetry:

Tiles in a floor in Milano, Italy.

So what is the point with all this? When you start to become aware of symmetry within the images you see, you will notice symmetry and the effect more and more as you study other photographers work. This is a great way to enhance your skillset and build symmetry into your composition toolbox and hence start using symmetry in your own work.

Symmetry, like rhythm and repetition, makes the image more likeable and pleasing, and that may be exactly what you need to make your photo work. But be careful with symmetry: a little is great, too much is boring in the long run. So use it sparingly.

Related reading

What are leading lines in photography?

What are frames and framing in photography?

What are frames and framing in photography?

Framing used as a composition tool in photography

Frames  are a tool in the photographers composition toolbox. Frames help the viewer by creating structure that gives a sense of order and calm, other than guiding the viewers attention.

On top of the image itself being a frame, you can have frames that sub-divide the image frame into smaller areas that are easier to digest. The subjects that act as frames can be positioned in a way that give a sense of depth or 3D to the image – see the image above. Frames within frames can really compensate for the lack of a 3rd dimension in an image.

A frame does not necessarily have to be a square or a sharp edged object, it might as well be made up  of several objects that together make up a frame – in the example below the leaves on the top, the concrete at the bottom and the steel pillars to the sides make up a frame that leads the attention to the boat and the sun in the middle.

Framing used as a composition tool in photographyA frame does not need to be square or symmetrical or complete: circles, triangles, L-shapes and even just a line can help the viewer read your picture.

Framing used as a composition tool in photography

When you start to become aware of frames within the images you see, you will notice frames and their effect more and more as you study other photographers work. This is a great way to enhance your skillset and build both implied and explicit frames into your toolbox as a photographer.

If you ask me, one of the masters of using framing in photography is Saul Leiter. In most of his images he uses framing as a very dominating tool to tell a story and guide the viewers attention. Have a look at these color images for inspiration: Saul Leiter.

Related reading

What is the rule of thirds in photography?

What are leading lines in photography?

 

 

What are leading lines in photography?

Leading lines are a tool in the photographers composition toolbox. Lines help the viewer by literally leading the eyes into the image, create structure, aid the storytelling, or a bit of it all.

Leading lines do not need to be straight – they can be curved as shown in the small bridge below. The point is that the eye naturally follows the lines no matter what structure they have.

As a photographer you are the director of the viewers attention and leading lines can be a powerful tool. The lines need not be explicit, they can be implicit as well – for example objects that due to their order and rhythm create a “virtual” line like the poles in the water below:

When you start to become aware of lines that lead and guide the viewer, you will notice leading lines more and more as you study other photographers work. This is a great way to enhance your skillset and build lines and leading lines into your toolbox as a photographer.

Related reading

What is the rule of thirds in photography?

 

What is the rule of thirds in photography?

The rule of thirds says that you should divide your frame by to vertical and two horizontal lines at equal distance, so you get 9 equal size areas:

The “trick” is now to place your subjects and whatever you want the viewer to focus on along these lines. Here you can see that the eye of the duck (we automatically go to the eyes of both humans and animals) is positioned at the intersection of two of the lines from the rule of thirds.

Nobody really knows why this works and gives better images. Maybe it really does not, but it seems we better like images where the subject is not smack in the middle, or landscape images where the horizon does not divide the image exactly in two. So give it a try and see if it works for you.

All composition rules are rules of thumb. Use them when you see fit, and break them when not. It is not intended to be a straightjacket, just a guide you can use whenever you see fit. As the photographer, you are the boss and the director when it comes to what you put in your frame.

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What is negative space in photography? And why use it?

What is the golden ratio in photography?

What is negative space in photography? And why use it?

More than just empty space…

The use of negative space is simply using nothing to put emphasis on something, i.e. leave a lot of unused or empty space to draw the viewers attention to what is in the frame:

It doesn’t really matter what the subject you want to emphasise is – it can be the tree above (or the man walking), or it can be a spider sitting on your kitchen window:

It may seem counter intuitive to use negative space, as the frame itself is a reduction or a selection of a part of reality, but it does give the picture a special mood of calmness:

However, it is important that there is a subject to be emphasised, otherwise the viewer is simply puzzled and cannot figure out what the point with the picture is. In the below example, there really is no apparent subject to be emphasised:

Sometimes negative space can be used to express isolation and loneliness:

Or being together in a bigger frame:

Or put emphasis on the sunrise and the silhouettes:

Or feeling very insignificant in a big universe:

Or simply majestically rise above the haze:

Or waiting for something to happen:

Or simply emphasizing a beautiful view:

Whatever your chosen use of negative space is, I hope the above has given inspiration for your creative work. Please leave a comment or question below – happy to try to give answers and inspiration for your work.