Review: Landscape photographer of the year, collection 10

Book review

Landscape photographer of the year, collection 10
Landscape photographer of the year, collection 10

I believe they produce a book similar to this one every year, or at least regularly. This is the edition 10, with 1-9 preceding obviously. So it is not the latest and greatest I am reviewing here, but the images are timeless and hence the edition number is of less interest.

It is VisitBritain as sponsor amongst others, so there is an agenda here other than just distributing some absolutely lovely award winning British images.

And I am happy to see that one of my favorite ocean photographers Rachel Talibart is one of the winners that made it into this book (the Sunday Times magazine award), but there are simply so many other talented British photographers that you have to see it to understand it. This is only the top of the iceberg – there must be so many hard working photographers out there that are not on display in this book.

One of the things I really enjoy about this book – other than the beautiful images – is that the photographers tell a little story about each image and in the back of the book they document what camera, settings and lens they used, and in addition briefly describe their post processing work. This is valuable insights, and shows that cameras of different make and price range are all able to produce beautiful images. It is the photographer that makes the big difference. A decent quality and camera is merely the means to an end.

Related reading

Review: And then there was silence, by Jan Grarup

Review: Photo basics by Joel Sartore

 

Review: Photo work: Forty photographers on process and practice, edited by Sasha Wolf

Book review

Forty photographers on process and practice
Photo work: Forty photographers on process and practice, edited by Sasha Wolf

This book is as academic as they come! That is my review in short! If you are curious to look over the shoulders of 40 acclaimed photographers (like Andrew Moore or Paul Graham) and understand their process and workflow, then this is the book to read!

All 40 have been given the same questionnaire of 12 questions like “Do you create with presentation in mind, be that a gallery show or a book?”. The book is simply the documentation of 40 answers to these 12 questions.

This is not your beginners book about photography, nor the advanced book about photography, rather it is an look into the minds and workflows of some highly creative people. I could as well have been a book about painters – the questions and their answers are that agnostic to photography.

So only if you have a keen interest in this highly specialized area can I recommend this book – otherwise I would stay clear of the 255 pages of process and insights.