Tag: D750

Introduction

In this post I will be looking at Nikon’s enthusiast DSLR camera line up to explain why I ended up buying the D750 after owning the D5600 for a year or so. I look at digital cameras here – film is another story! 

If you want to get to know the Nikon camera lineup, this wiki page gives a good overview, both in terms of available models and which were released when.

This post is intended to give you inspiration if you are to buy a Nikon camera. Your decision criteria and personal preferences are probably different from mine. So most likely you will end up making a different decision than me, or arrive at the same decision but for different reasons. So please read this post in that context.

Nikon D5600 and D3400

The 3×00 series is the entry level model whereas the 5×00 is considered a notch above that but still in the entry level end of the Nikon scale. I have no experience with the D3x00 but I would imagine it is a budget friendly (scaled down) version of the D5x00 with very much the same look and feel. My D5600 is solid workhorse that has served me well and I only sold it because I moved to full frame. 

The reason why I moved away from the 3×00/5×00 series is the lack of a in-body auto focus (AF) motor. Nikon (and Sony) have been around for ages, and their legacy gives access to a wide range of vintage glass that can be bought for a fraction of the prices of new glass. However, many of these lenses either have manual focus or focus via a screwdriver setup, where a small motor driven pin in the camera body as shown here:

It drives the focus mechanism in the lens. I absolutely love the low prices and high quality of vintage Nikkor glass in combination with the comfort of auto focus – the D3x00/D5x00 series were no longer an option for me. 

Nikon D7500

The need for an in-body AF motor literally drove me to the 7×00 series. These APS-C sensor cameras have many fans, and especially when reading blog comments from D7100 and D7200 owners, these cameras apparently serve their owners very well. And both used and new, these cameras are close to unbeatable when it comes to the price/performance ratio – a steal. 

Despite these two strong candidates, I went for the D7500 – the camera that the internet loves to hate, as Steve Perry says in his review of the camera. I absolutely loved it – super fast frames per second, stunning low light performance, tilt screen, nice LCD and a deep grip. I felt I got a scaled down version of the D500 for a bargain.

I would probably have owned and used the D7500 today had it not been for an unfortunate accident where I dipped the camera in salt water to save myself from falling. That taught me always wear a camera strap when out and about, but it also meant that my D7500 was ruined in a cannot-be-saved way (salt water simply eats the thin metal in the electronics inside the camera). So I went back to my D5600 for a while, saving money and contemplating my next move.

Cropped versus full-frame

In the photo community on social media the debate regarding full frame versus cropped sensors (APS-C) is probably one of the oldest around. And it goes on and on. I think that over the years the APS-C sensors have moved closer and closer to the full frame sensors in terms of performance, and many will claim that the differences are small if visible at all. I have no ambition to add to this discussion.

I can see that many – also professional – wildlife photographers prefer the APS-C sensor due to the crop factor. So it is a matter of horses for courses – you cannot say that full frame is this A-team and APS-C is the B-team. It is more complicated than that. A Nikon D500 (APS-C) is by many considered more professional grade than the full frame Nikon D610.  

So all this just to say that I eventually went for a full frame model simply because I was curious! I wanted to experience what a full frame camera could do when compared to an APS-C. Is it rational and clear thinking to go for full frame just because you are curious? No, absolutely not. But it is my honest answer, and the reason why you should consult your own personal preferences when making a purchase decision. You can read more here about the arguments for shifting from APS-C to full frame.

The Nikon D750

After deciding to go for a full frame Nikon DSLR camera body, it was really down to 4 different models: the D610, D750, D810 and D850. And before I started to look at reviews, I started with the specs and prices – budget is important to me. In February 2019, this is what a simple table of comparison looked like:

The models are across, starting with the D610 and ending with the D850. In the bottom the last 3 lines gives the prices in Euro, the increase going from one model to the next and finally the index comparing towards the D610. So for example, the D850 is 3 times as expensive as the D610, and you will have to raise your budget by 26% if you decide to go for the D810 over the D750.

Let me start with the easy part: the D850. This one is undoubtedly the DSLR of my dreams, but also way out of my league budget wise. It has an impressive 45 mp sensor and an Expeed 5 processor, so I have every reason to believe that this is as good as it gets. But but, budget budget.

In the other end of the scale is the D610 which is much closer to my budget and what I intend to spend. However, having seen what the modern Expeed processor did in the D7500 camera, I wanted to go for the most modern Expeed processor possible, and here the D750 had an advantage (as marked in the lower red circle). Also, as I often shoot low light, the ISO performance of the D750 also seemed very attractive (top red circle). Of course you should buy as cheap as possible, but on the other hand it is silly spending 800 EUR on a camera body and then missing the features of a 300 EUR more expensive body – then I think it is better to save for a little longer and then go for the better model.

So the final choice was between the D750 and the D810. After going in circles for weeks, I finally decided that I could not defend the need for a 36 mp sensor – it is way more than what I need. Most of my pictures are for social media and the like and are condensed/reduced in resolution to a level where 24 mp is more than sufficient.  

With this in the back of my head, I started to study reviews of the Nikon D750, and especially two videos caught my attention. The first one is a professional wedding photographer (“this one will shoot in the dark”). The second one is a video from Seattle Museum of flight.  Of course I read many more reviews of the D750 like the one from Techradar.

And piling all this together, I found the choice of the D750 an easy one. So I ended up buying the D750, and I am a happy camper!

Here in 2023, I still have my Nikon D750. I also have a Nikon D4, a Nikon Z6ii and a Nikon D700. But I hold on to the D750. It is just a workhorse that does exactly what you ask it to.

It is still my preferred camera for a product shoot, simply because it is so easy to work with. I once read in a review of the car BMW 320 that the reviewer liked the care more and more, the more he drove in it, and that one of the reasons was that every dial and button sat exactly where he wanted them to. There was no strange design features or experimentations going on here – every button and dial was functional and tested in detail. My feeling about the D750 is exactly the same: it is a workhorse that does what you tell it to. The shooting experience is great!

The D750 does not have the heavy sound or feel of say a professional grade Nikon D4, in fact, some will say it feels a little too light and made of too much plastic. That may well be, but if you judge the camera on it’s usability, features and output, I think you will find that it is an all round DSLR that is hard to beat. Add to that the massive lineup of used / vintage f-mount glass that can be mounted on the D750 and you have a very capable package that is hard to beat when it comes to price / performance.

I have several Z-mount lenses and a Nikon Z6ii. The Z-mount glass is better than the F-mount, I think that is evident when you read reviews and see it for yourself. The question is if you need the better technical performance from the Z-mount glass? It is a pleasure to work with the Z-mount glass, but to be honest, I think most photographers really don’t need the additional performance.

You could of course go for  the Nikon Z6ii, which is the mirrorless competitor to the Nikon D750, and then mount F-mount glass on the Z6ii using a FTZ adapter. But than all your AF glass with mechanical autofocus would be manual focus, as the Z6ii has no focus motor!

The benefit of a mirrorless camera is eg. a silent camera with no mirror flicking and the focus peaking highlights (my full list of  mirrorless advantages is here). And if this is important to you, the Z6ii may be an alternative to consider. But again, if you look at the price / performance, I think you will find that the D750 is an option that is hard to beat. The mirrorless features comes at a high price.

My only reservation is this: If you want a hybrid camera, the video capabilities of the Nikon D750 shows the age of the camera (no 4K). But for photography it is still a very capable camera.